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    <loc>http://www.mirandabutler.com/blog</loc>
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    <lastmod>2017-09-08</lastmod>
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    <loc>http://www.mirandabutler.com/blog/alchemistsdaughter</loc>
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    <lastmod>2017-09-08</lastmod>
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      <image:title>Blog - The Strange Case of the Alchemist's Daughter: Human-Directed Evolution in Theodora Goss's Victorian Crossover Novel</image:title>
    </image:image>
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  <url>
    <loc>http://www.mirandabutler.com/blog/2017/4/28/frankenlecture-a-tale-of-two-frankensteins</loc>
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    <lastmod>2017-04-29</lastmod>
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    <loc>http://www.mirandabutler.com/blog/2017/3/11/different-houses-built-on-the-same-foundation</loc>
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    <lastmod>2017-03-12</lastmod>
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      <image:title>Blog - Different houses built on the same foundation</image:title>
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  <url>
    <loc>http://www.mirandabutler.com/blog/2017/3/11/going-to-cambridge</loc>
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    <lastmod>2017-03-12</lastmod>
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  <url>
    <loc>http://www.mirandabutler.com/blog/2017/3/11/whiny-victor-frankenstein</loc>
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    <lastmod>2017-03-11</lastmod>
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      <image:title>Blog - Whiny Victor Frankenstein</image:title>
      <image:caption>"Yah, Dave dropped out cuz he built a person." In the frontispiece of the 1831 edition of Mary Shelley's novel, "19-year-old sin machine" Victor Frankenstein flees the scene of his monstrous act of creation. Shelley, Mary. Frankenstein (London: Henry Colburn and Richard Bentley), 1831. Eaton Collection. From the holdings of Special Collections and University Archives, UCR Library, University of California, Riverside.</image:caption>
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      <image:title>Blog - Whiny Victor Frankenstein</image:title>
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    <loc>http://www.mirandabutler.com/blog/2017/3/11/book-review-forthcoming-in-sfs</loc>
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    <priority>0.5</priority>
    <lastmod>2017-03-14</lastmod>
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  <url>
    <loc>http://www.mirandabutler.com/blog/2017/3/11/new-approaches-to-darwin</loc>
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    <priority>0.5</priority>
    <lastmod>2017-03-14</lastmod>
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      <image:title>Blog - New Approaches to Darwin</image:title>
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  </url>
  <url>
    <loc>http://www.mirandabutler.com/blog/2017/3/11/co-curating-200-years-of-frankenstein</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5760c1e63c44d8a0f9a6712b/1489265456249-LV7Q3GVUHYO0JH9YCN5O/1831-frankentitle.JPG</image:loc>
      <image:title>Blog - Unique 1818 and 1831 editions of Frankenstein at UCR's Eaton Collection</image:title>
      <image:caption>Shelley, Mary. Frankenstein (London: Henry Colburn and Richard Bentley), 1831. Eaton Collection. From the holdings of Special Collections and University Archives, UCR Library, University of California, Riverside.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5760c1e63c44d8a0f9a6712b/1489264240263-TRUPLB053XHIWUWZWEKJ/franken-penstrokes.png</image:loc>
      <image:title>Blog - Unique 1818 and 1831 editions of Frankenstein at UCR's Eaton Collection</image:title>
      <image:caption>Shelley, Mary. Frankenstein (London: Lackington, Hughes, Harding, Mavor, &amp; Jones), 1818. Eaton Collection. From the holdings of Special Collections and University Archives, UCR Library, University of California, Riverside.  Click here to visit the FrankenBlog, via the Eaton Collection of Science Fiction and Fantasy at the University of California, Riverside.</image:caption>
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      <image:title>Blog - Unique 1818 and 1831 editions of Frankenstein at UCR's Eaton Collection</image:title>
      <image:caption>Shelley, Mary. Frankenstein (London: Lackington, Hughes, Harding, Mavor, &amp; Jones), 1818. Eaton Collection. From the holdings of Special Collections and University Archives, UCR Library, University of California, Riverside.</image:caption>
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    <loc>http://www.mirandabutler.com/blog/2017/3/11/co-curating-200-years-of-frankenstein-1</loc>
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    <lastmod>2017-03-11</lastmod>
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      <image:title>Blog - Co-curating 200 Years of Frankenstein</image:title>
      <image:caption>Click here to visit UCR's FrankenBlog, a project of the Eaton Collection of Science Fiction and Fantasy.</image:caption>
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    <loc>http://www.mirandabutler.com/blog/2017/3/11/night-of-writing-dangerously</loc>
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    <lastmod>2017-03-11</lastmod>
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      <image:title>Blog - 2016 Night of Writing Dangerously</image:title>
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      <image:title>Blog - 2016 Night of Writing Dangerously</image:title>
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      <image:title>Blog - 2016 Night of Writing Dangerously</image:title>
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  <url>
    <loc>http://www.mirandabutler.com/blog/2017/3/11/navsa-phoenix-and-florence</loc>
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    <priority>0.5</priority>
    <lastmod>2017-03-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5760c1e63c44d8a0f9a6712b/1489256930330-K0R818LKNSYNB9ODEZT5/IMG_4745.JPG</image:loc>
      <image:title>Blog - NAVSA: Phoenix and Florence</image:title>
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  <url>
    <loc>http://www.mirandabutler.com/blog/hm144</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5760c1e63c44d8a0f9a6712b/1489343371962-48WMTXJTTEPY8SDTUH3L/image-asset.png</image:loc>
      <image:title>Blog - Huntington Manuscript 144: Digital/Video Project</image:title>
      <image:caption>From the outside, Huntington Manuscript (HM) 144 might be described as a “scruffy” 7.5 by 11 inch book. It’s weathered with age, showing many spots and variations in its light brown cover. The spine is made of dark leather with a faint floral pattern stamped into it, and in a few places, the leather has worn down. So it’s old and fading, right? Maybe a little bit, but this manuscript was made to last, and its physical and material presence tells as much of a story as the words on its individual pages. Though textbooks and anthologies immortalize some of the poems and stories written in this manuscript, other aspects of HM 144 have not received much attention. This website is dedicated to a single piece of writing, added to the back of a blank page many years after the initial pieces were put together. The “Plague Page,” as my peers and I refer to it, is a “recipe” written against the plague and added to the manuscript in a sixteenth-century secretary hand. And where do the dragons come in? We'll have to learn to read the scribal handwriting to find out. Click here to visit my online exhibit at 144dragons.omeka.net!</image:caption>
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    <loc>http://www.mirandabutler.com/blog/2017/3/11/she-seems-dead-but-shes-a-vampire-right</loc>
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    <lastmod>2017-03-11</lastmod>
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      <image:title>Blog - She seems dead, but she's a vampire, right?</image:title>
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      <image:caption>Speaking about the literary history of Mary Shelley’s famous work.</image:caption>
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      <image:caption>(Yes, this is me and my mom.)</image:caption>
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      <image:caption>Sitting on the panel with Sara Jane Karloff, daughter of actor Boris Karloff.</image:caption>
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      <image:caption>Answering audience questions about Mary Shelley, Percy Shelley, and Lord Byron.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5760c1e63c44d8a0f9a6712b/1539027171134-R06RGHH5YJILUR4163SV/IMG_9760.JPG</image:loc>
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      <image:caption>I got to print my own title page of Frankenstein thanks to the generous archivists at the Antiquarian Book Festival!</image:caption>
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      <image:caption>Public television interview with Out and About hosts.</image:caption>
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      <image:caption>The audience was fully packed — standing room only as we gathered to discuss the legacy of Frankenstein!</image:caption>
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      <image:caption>I was interviewed by Barbara Miller Beem for a special issue of Antique Week Magazine that featured Mary Shelley’s Frankenstein and the Antiquarian Book fair. Click this image to read Beem’s article as a PDF.</image:caption>
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    <lastmod>2020-12-22</lastmod>
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      <image:caption>Me (Miranda) posing with queer icon Amber Benson, aka Tara in TV’s Buffy the Vampire Slayer, at the LGBT+ fan convention, ClexaCon, in 2019.</image:caption>
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